This is a guest review by Sarah Kaplan.
In the spirit of Whitney Mollenhauer’s bullet point review of Tangled, please enjoy this review of Lilo & Stitch, the most feminist kids’ movie I’ve ever seen, organized by character.
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| The Grand Councilwoman |
The first character we see in this movie is female, powerful, and complex. She appears to be the head of an interplanetary government, and could easily have been a stereotypically pure figure. Instead, she’s a strong woman who makes tough decisions. She’s compassionate but not soft, and, as much as is possible within the framework of a kids’ movie, is shown to be a politician dealing with difficult realities. A hard woman with a temper, she is deeper than some characters in similar roles in adult cinema, such as Padme Amidala in the Star Wars prequels and the president in Fifth Element.
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| Jumba and Pleakley |
When Experiment 626, the destructive and very dangerous creation of mad geneticist Jumba Jookiba, escapes a prison ship and crashes on Earth, Pleakley, a one-eyed expert on our planet, suggests that a relative be sent to retrieve the “monstrosity.” Jumba is the closest thing to family that 626 has, so he is sent to do the job, and Pleakley is sent to keep him under control. Their sojurn on Earth involves them masquerading as a human man (Jumba) and woman (Pleakley). I can’t think of another Disney movie featuring crossdressing. And then there’s this scene as the two of them get ready to camp out for the night.
Pleakley is enjoying his “feminine side” through a wig, and when the more stereotypically masculine Jumba catches him, he wants a turn with it. This movie came out in 2002. When you think about it, this is really quite remarkable.
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| Lilo |
Lilo, shown here with Scrump, a doll she made herself (“…but her head is too big, so I pretend bugs laid eggs in her ear…”), is a feminist’s dream girl character. She is creative, individual, in no way sexualized, and intelligent to boot.
Life isn’t easy for Lilo, whose parents are dead, leaving her sister as her legal guardian. Lilo describes her family as “broken,” and it’s clearly a difficult situation for both sisters. Lilo is aware that her family isn’t normal, but she still considers the concept of “ohana,” family, very important. It’s a central theme in the movie.
Lilo also faces the cruelty of female cliques, despite her young age. In the scene pictured in the screenshot above, other girls her age refuse to play dolls with her. (In a nice touch, the other girls’ dolls, while Barbie-shaped, match their different hair colors. Two of these girls, like Lilo, are native Hawaiians.) To be fair, she had bitten one of them not long before. This movie doesn’t whitewash its protagonists, and it isn’t afraid to show children as cruel and violent at times.
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| Nani |
Lilo’s older sister is also her legal guardian, and they have a realistic relationship. They argue and yell at each other at times (though at one point they agree to only do so on “special occasions” and Lilo says “Tuesdays and bank holidays would be good”), but they also clearly love each other. Central to the plot is Nani’s struggle to keep custody of Lilo. Nani isn’t a perfect guardian. She makes some major mistakes, like leaving the stove on when she isn’t home, and isn’t exactly forthcoming with the social worker (she and Lilo have a rehearsed routine). Nani breaks the Disney mold of either idealized or vilified parents and step-parents in important ways.
Nani also has the movie’s only romantic relationship. Nani doesn’t have time for romance, but Lilo has read her diary and knows Nani is interested in David (“She likes your butt and fancy hair.” “She thinks it’s fancy?”), who asks Nani out during the course of the movie and is implied to become her boyfriend afterwards.
Aside from the strong female characters and the far-from-sexist behavior of every male character in the movie, it’s worth noting that the core themes of Lilo & Stitch are about as feminist as they come. I don’t want to spoil the ending, but it highlights the importance of family and the concept that biology is not destiny, though admittedly the latter is applied to alien genetic experiments rather than sexual differences.
Lilo & Stitch is a wonderful, thoroughly feminist children’s movie, and one of my personal favorite movies of all time. It’s funny, thoughtful, and a surprising treat from Disney.
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Sarah Kaplan is an English major at a Maryland community college.
Loved this movie and loved your review of it! I think it is such a wonderful example of family as more than just standard mom, dad, and kids – it allows our children to see a life enriched by difference and love.
“Their sojurn on Earth involves them masquerading as a human man (Jumba)
and woman (Pleakley). I can’t think of another Disney movie featuring
crossdressing.”
“Mulan,” 1998. Mulan herself is obvious, but her three male friends in the army also cross-dress at the end of the film to infiltrate the palace. (The Huns mistake them for concubines, which they play up.)
Also “The Lion King” in 1994. (“Whaddya want me to do, dress in drag and do the hula?” / “LUAU!”)
I suspect there are others, but I’m not thinking of them at the moment.
I do love this film immensely, and particularly Jumba and Pleakley, but really, all of the characters are wonderful.