If you’re in the mood for some candid and righteous yet light-hearted conversation among millennial feminists, then look no further than The Flow. Though the tableau is a familiar one—four women seated on coaches with mugs of tea in hand holding forth on popular culture—the content of their dialogue is far from the daytime registers of The View or The Talk, the likes of which I only catch when stuck in waiting rooms. That’s another way of saying The Flow is well worth your time (trust me, you have all of 20 minutes to spare). The first season was released in February 2014, and features the animated banter of Linda Dianne, Delly P, Nicole Ryan, and Kelly Lyn. These women are earnest, joyful, and excited to talk with each and share their experiences about topics that include (but are not limited to): period shits, gender representation in the media, and their feminist roles models in real life and television. Each of the three episodes has a companion confessional video wherein we get a snapshot of each woman’s perspective on the given topic of the main episode. This structure works well to help us viewers get to know each woman a bit more on her own terms, which isn’t something conveyed in the group discussions.
Though season one is brief, The Flow manages to pack in a lot of intelligent talk about media that deserves the hype. Viewers will likely be familiar with films like Miss Representation, shows like Orange in the New Black, and especially the amazing actor/activist Laverne Cox, but I hadn’t heard of nor seen the video “Shark Week” by the Brooklyn-based rap group Hand Job Academy. Without spoiling too much—because there really are no words—let’s just say “shark week” is a euphemism for menstruation. But that’s where the politeness ends. This photo should be enough to entice:
In addition to running through their own shorthand, such as “Crimson Tide” and “The Original O.B.” (my favorite was always Antietam: the bloodiest day of the Civil War), the confessional episode reveals each women’s narrative of the memory of when she got her first period. Though the details differ from story to story, the common refrain was that Linda Dianne, Delly P, Nicole Ryan, and Kelly Lyn each took pride in their experiences, mostly made positive thanks to the supportive women who were there to supply them with reassurance and maxi pads(or in Delly’s case, chocolate, too). There’s a wonderful lightness and lack of shame in these stories that I found resonant and refreshing (particularly compared to the pain endured by many women of older generations; see The Vagina Monologues). Here’s to seeing where The Flows goes next month in season two.
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