The strength of ‘Osage’ is that it never once sentimentalizes women’s relationships with one another. It does not allow for trite Hollywood portrayals of women as somehow less violent, less complex, or less serious than men. ‘August: Osage County’ is an odd sort of respite for those of us who don’t relate to stories of quirky, privileged, white girls from Brooklyn. The women of ‘Osage’ would destroy ‘Girls’ Hannah Horvath with a word and look. For me, it’s a kind of comfort to see these steely women on screen.