This is a guest review by Leigh Kolb. The 2011 film Drive opens by plunging the audience into an 80s-insipired neo-noir world, where the beats are hard, the car chases gripping, and the femme fatale seductively leads the real chase. Or at least it seems that simple. The protagonist, simply named Driver (Ryan Gosling), may … Continue reading ‘Drive’ and the Need to Identify the Virgin or Whore in the Passenger Seat