OMG a Vagina: The Struggle for Feminine Artistic Integrity in Kimberly Peirce’s ‘Carrie’

Carrie is a terrifying and compelling story, but there is certainly something to be gained and perhaps a certain truth to be found in watching the pain of her journey into womanhood as told by a woman director. … But even in the face of these small victories, we have to wonder how the film would have been different had Peirce been allowed to tell this story without being inhibited by the fear and discomfort of the male voices around her.

Carrie Fisher Talks Mental Health

Over the past decade, Carrie Fisher has been outspoken about her struggles with bipolar disorder and addiction. Her admissions are profound for a Hollywood actress of her caliber, especially when you consider the ways that society stigmatizes mental illness.

Controlling Mothers in ‘Carrie,’ ‘Mommie Dearest,’ and ‘Now Voyager’

These three “bad moms” fashion themselves the Moirai, the Fates, the three women in control of everything on earth. … These films were just the start of audiences’ obsession with controlling mothers. We continue to see these tropes replayed in a multitude of ways.

The Blood of ‘Carrie’

Most feminist criticism of Stephen King’s Carrie has focused on the male fear of powerful women that the author said inspired the film, with the anti-Carrie camp finding her death at the end to signify the defeat of the “monstrous feminine” and therefore a triumph of sexism. But Stephen King’s honesty about what inspired his 1973 book notwithstanding, Carrie is as much an articulation of a feminist nightmare as it is of a patriarchal one, with neither party coming out on top.

Older Women Week: Judi Dench Carries ‘Notes On A Scandal,’ and Other Badass Accomplishments

There’s an imperative reason why Dench was nominated for an Academy Award for Best Actress in a film for Notes On a Scandal. The Academy can be a load of BS with their ageism and racism, but sometimes, they get it right. It’s also quite wonderful to point out that Dench scored her first nomination at 64, her first and only win at 65, and four nods after— the last being Notes on a Scandal. For people to say that she is too old for anything is simply wrong on all counts. She truly is at her artistic best.

‘Orange is the New Black’ and Carrie Bradshaw Syndrome

The cast of Orange is the New Black. Written by Myrna Waldron. I am not much of a TV watcher. I prefer films for a few reasons – they don’t take as long to watch, plots are resolved, character arcs don’t get derailed, etc. But I’ve started bingeing on Netflix in a smaller window while … Continue reading “‘Orange is the New Black’ and Carrie Bradshaw Syndrome”

Women in Politics Week: Homeland’s Carrie Mathison

To quote The Awl’s headline from December 2, 2011, Claire Danes as Carrie Mathison is a woman on the verge of a nervous breakthrough.  Carrie Mathison burst onto our television screens in October of 2011 as the central narrator to Showtime’s superbly riveting political thriller, Homeland. Based on Israel’s Prisoners of War and driven by … Continue reading “Women in Politics Week: Homeland’s Carrie Mathison”

Women in Politics Week: ‘Homeland’s Carrie Mathison: A Pulsing Beat of Jazz and ‘Crazy Genius’

Carrie Mathison, a haunted yet brilliant CIA analyst This post, by Leigh Kolb, first appeared at Bitch Flicks on October 10, 2012. Warning: spoilers ahead! I hate straight singing. I have to change a tune to my own way of doing it. That’s all I know.— Billie Holiday In the pilot episode of Homeland, Carrie … Continue reading “Women in Politics Week: ‘Homeland’s Carrie Mathison: A Pulsing Beat of Jazz and ‘Crazy Genius’”

‘Homeland’s Carrie Mathison: A Pulsing Beat of Jazz and ‘Crazy Genius’

Carrie Mathison, a haunted yet brilliant CIA analyst. Warning: spoilers ahead! “I hate straight singing. I have to change a tune to my own way of doing it. That’s all I know.”  — Billie Holiday In the pilot episode of Homeland, Carrie Mathison (Claire Danes), hurries back to her Washington D.C. apartment after a night … Continue reading “‘Homeland’s Carrie Mathison: A Pulsing Beat of Jazz and ‘Crazy Genius’”

Motherhood in Film & Television: ‘Carrie’

Jamie Lynne Grumet on Time Recently there’s been major hullabaloo about Jamie Lynne Grumet, the 26-year-old California mom who proudly posed on the cover of Time magazine breastfeeding her 3-year-old son. Ridiculed, condemned and completely unorthodox, this shocking image continues to reverberate across the globe. A similar effigy from the 1976 film Carrie has lingered … Continue reading “Motherhood in Film & Television: ‘Carrie’”

Bitch Flicks Welcomes New Monthly Guest Contributor, Carrie Nelson

Greetings, Bitch Flicks readers! I’m Carrie, and I am thrilled to be Bitch Flicks’ new monthly contributor.  I’ve been passionate about media for as long as I can remember. I studied film production as an undergraduate at Emerson College, and I am currently pursuing an MA in Media Studies at The New School. My ultimate … Continue reading “Bitch Flicks Welcomes New Monthly Guest Contributor, Carrie Nelson”

On Our Terms: A Black [Women’s] Horror Film Aesthetic

What horrors are directly related to Black women? What elements, themes, aesthetic appeal would make a horror film a solid example of Black female centrality and agency? And even still, strike fear in a universal audience… Our ghosts: how are they different?